From Thinking Dance
The live version of every Judd Apatow movie: Still Standing You
Is North American dance in crisis? The DCA conference 2013
My Profound Experience at Illadelph
What makes ballet contemporary?
On work that i've worked on:
Myzrie House
Myzrie House Review
“Annie Wilson’s direction plays beautifully in the affective performances of Wong and Burgio, keeping us rooting for their safety and freedom all while delighting in the show they’re giving us.”
This Is On Record
“This is on Record is successful political art because it is as universal as it is specific. It creates a context from which to look at our political moment that can offer comfort without betraying the reality of our despair. As the sound of the projectors winds down and we’re left in the silence of now with the echoes of always, it’s clear. This work matters.”
My Voice, Our Voice/Mi Voz, Nuestra Voz
Feminist flamenco: Passion and Presence
“Wilson and Hevia y Vaca danced a postmodern bata de cola that made evocative use of their long, ruffled skirts. Held overhead, the skirts became saintly halos, but their pink and red folds resembled genitalia when held in front of the body.”
Leaps of Faith and Other Mistakes
*** Nominated for Barrymore for Best Choreography for the whole collaborative team, Winner of Barrymore for best original music by the incredible Melanie Hsu***
”Leaps of Faith and Other Mistakes is a beautiful spectacle, full of humor, sadness, joy and handstands.”
Hello! Sadness!
”Mary managed to take everything I’ve been feeling about my place–physically, politically, occupationally, artistically–and reaffirm the fact and power of my existence. All of my work is in the arts, and it’s been hard because I feel like, ‘what the fuck is the point of theatre right now?’”
Action is Primary
The Container and the Contained
Action is Primary is not a Ballet
The Garden